One word easily describes Sucker Punch: Disappointing.
It can be compared to Star Wars: The Phantom Menace, as a film full of great ideas and potential that ultimately falls flat, and as being much less then the sum of its parts.
Sucker Punch is a completely original idea from director Zack Snyder (300, Watchmen), something that is a rarity in Hollywood (originality, not Zack Snyder), carried by a carefully selected and directed cast, with fantastic visuals, sounds and themes, great action scenes, troubling drama, and a story that cannot be considered a rehash or predictable.
Somehow, Sucker Punch fails.
What I knew about the film was that a girl dreams up a world to escape some terrible real-life predicament, and that this dream world, from the previews, looks totally awesome.
What I didn’t know was that the rhythm of the film suffers from being constantly broken by the brothel scenes. The editing gives Sucker Punch a “mission’” structure, very similar to many video games. This is not always a bad thing, but it is in this case.
Sucker Punch’s tale is told on three levels: The Reality (R1), in which Baby Doll (Emily Browning) accidentally kills her sister and is sent to a mental institution by her stepfather in order to be lobotomized, so that this asshole can get to his dead wife’s inheritance in place of her daughters. The Dreamworld (D1), made up by Baby Doll to escape her grim fate, is a brothel in which girls, “owned” by Blue the “gangsta”, dance for money. And finally, the Dreamworld within the Dreamworld (D2), where Baby Doll and her four girlfriends from D1 battle creatures and demons to find the artefacts that will set them free from the brothel/mental institution. D2 comes up when Baby Doll uses her dancing talent in D1 as a diversion while her girlfriends can acquire the items/artefacts. Much like Bollywood films show a musical number in place of a love scene, Sucker Punch presents us with a high-octane action piece in place of Baby Doll’s dance.
By the way, there is a big, confusing twist.
Personally, I think Sucker Punch would’ve made its point with R1 moving into D1, replace the dancing thing with something else and move into D2 for most of the film, then out into D1 and finally, back into R1 with the same finale.
Does that make sense?
Also, Sucker Punch does not hold men in high regards. With the exception of the Wise Man (Scott Glenn), all men in the film are dirty rotten scum, rapists, pedophiles, murderers, greasy disgusting losers, etc. The film almost made me want to cut my balls off.
Almost.
What works in Sucker Punch are the actors, the music, the visuals and each set-piece by themselves are all great. The problem is that when they are edited together, they feel as though the director had a bunch of really cool ideas (they are) that he wanted to put into a single film (he did) instead of making a movie for each, and patched together the dream within a dream plot that is far from being as efficient as, say, Inception.
It’s the kind of movie that should make for some very nice home entertainment on Blue Ray, so I advise to wait a few months and rent it.
4/10
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